NCKU, 成功大學-台灣文學系

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英文姓名:Fang-chih Irene Yang


聯絡電話(公)+886-6-2757575 ext.52628












University of Illinois,


Cultural Studies Program,

Department of Speech Communication



 Oct. 1999

University of Oregon, Eugene

Telecommunications and Film Program,

Department of Speech Communication



 Dec. 1992

National Tsing Hua University

Department of Foreign Languages and Literature



 June, 1989






National Cheng Kung University

Department of Taiwanese Literature

Associate Professor


National Dong Hwa University

Department of English



National University of Singapore

Department of Sociology

Senior visiting fellow


A project commissioned by National Science Council in Taiwan

The Future Directions for the Development of Gender/Sexuality Studies in Taiwan



Cultural Studies Association


Board of Director

The Journal of Popular Culture

Editorial Board member

Feminist Scholars Association


Board of Directors

National Dong Hwa University

Department of English

Associate Professor



National Dong Hwa University

Department of English

Assistant Professor




Women’s Studies, University of Illinois




University of Illinois, Urbana-Champaign

Department of Speech Communication






Media Studies, Cultural Studies, Gender Studies



 2016 Fang-chih Irene Yang. “Long Live Cuteness”: S.H.E.'s “Girl Power” and Negotiations with Nationalisms in                    the Chinese Language Market. Contemporary Culture and Media in Asia. Eds. Koichi Iwabuchi, Daniel                          Black and Olivia Khoo, 141-155.

 2016   Empresses in the Palace and the 'Neoliberalization Through China' Project in Taiwan. from Lifestyle Media                    in Asia:Consumption, Aspiration and Identity. Eds: Fran Martin and Tania Lewis. pp. 96-113. New     York: Routledge.

 2015 Fang-Chih Yang Irene. Taiyu serial dramas in Taiwan:A history of problem making. Television Histories in              Asia:Issues and Contexts. New York: Routledge. Pp. 164-181.

 2013   “Active Citizenship: The Politics of Imagining Internet Audiences in Taiwan.” Coauthored withPing Shaw. In Meanings of Audiences: Comparative Discourses. Eds. Richard Butsch and Sonia Livingstone. Pp. 187-202. NY: Routledge.

 2012   “Gender in Popular Culture.” Gender Dimensions: Feminist Perspectives. Eds. Hsuling-ling Huang and Mei-hui Yio. P. 107-128.  Taipei: Jyu-liu Publications. (in Chinese)「流行文化裡的性別」,出自性別向度與台灣社會,黃淑玲與游美惠主編。修訂再版。

 2009  “Feminism Without Borders.” (評「無疆界的女性主義」) in Multiculturalism and Curriculum Theoryedited by Liu Mei-hui, pp. Taipei: Xue-fu. (in Chinese)

2008  “Rap(p)ing Korean Wave: National Identity in Question.” East Asian Pop Culture. Ed.

           Chua Beng Huat and Koichi Iwabuchi Pp.191-216. Hong Kong university Press.

 2007    “Gender in Popular Culture.” Gender Dimensions: Feminist Perspectives. Eds. Hsuling-ling Huang and Mei-hui Yio. P. 91-110.  Taipei: Jyu-liu Publications. (in Chinese)

              「流行文化裡的性別」,出自性別向度與台灣社會, 黃淑玲與游美惠主編(P91-110)。榮獲國立編譯館的97年度「獎勵人權教育出版品」獎.

 2005    “From Variety Show to Body-sculpting Commercials: Figures of Audience and The Sexualization of Women/Girls.Asia Media Studies: Politics of Subjectivities. Pp. 183-206. Eds. J. Erni and S.K. Chua. Blackwell.

    2004    “Internationalizing Women’s Magazines.” Published in Women in the     New Taiwan:Gender Roles and Gender Consciousness in A Changing Society.

               Pp. 120-148. Eds. Catherine Farris, Anru Lee, and Murray Rubinstein. M.E. Sharpe.

2004  “Beautiful and Bad Woman: Media Feminism and the Politics of Its Construction.” The Dialectics of Gender and Power in Knowledge Formation. Ed. Wo-long, Hsie.「美麗壞女人:媒體女性主義的歷史建構政治」知識型構中性別與權力的思想與辯證。Pp. 455-486. 謝臥龍編。唐山出版社。(In Chinese)

2004    Simone de Beauvoir in Taiwan’s Popular Media: Politics of Freedom and LifestyleNew Approaches to Literary Studies: Communcation and Reception.文學研究的新

              進路傳播與接受。Pp. 611-639. Hung-yie Cultural Publications.


 2016  . Fang-chih Irene Yang (2016). The Politics and Aesthetics of Chinese Drama (Huajyu) in Taiwan. Boundary 2:

    An International Journal of Literature and Culture.. (Accepted). 本人為第一作者.

 2013    "Remediating Japanese Dramas: Exploring the Politics of Gender, Class, and Ethnicity in Loser- Dog Queen in Taiwan." TheJournal of Popular Culture. 46(5): 1070-1091.

 2012    “From Korean Wave to Korean Living: Meteor Garden and the Politics of Love Fantasies in Taiwan.”

                   Korea Observer,43(3):419-445.

 2011  “Constructing Shou-nyu’s Identity and Desire: The Politics of Translation in Taiwanese Sex and the

                 City”. International Journal of Cultural Studies, 14(3): 235-249.

 2010    "NSC Report on the Current Scholarship and Suggestions for Future Research in Feminist Studies

                   in Communication and Cultural Studies" and "Reflections on Research Methodology and the 

                   Dilemmas of Institutionalization in Feminist Studies." Chinese Communication Research, March,

                   3-15;35-44. (in Chinese)

 2008    "The Genrification of “Korean Dramas” in Taiwan.”, China Information: A Journal of Contemporary

                   China Studies (Special Issue on Gender and Sexuality) Vo. XXII No. 2, July 2008, pp. 277-304

2008   “Engaging with Korean Dramas: Discourses of Gender, Media, and Class Formation in Taiwan.”

              Asian Journal of Communication, 18(1): 64-79.

2007 "Beautiful-and-Bad Woman: Media Feminism and the Politics of Its Construction." Feminist Studies

                  33 no.2 (Summer 2007). P.357-379.

2004   International Women’s Magazines and The Production of Sexuality in Taiwan.” Journal of

   Popular Culture. Vol. 37. no. 3.pp. 544-569.

2004    “Investigating Textbooks on Sociology: A Feminist Perspective.” Journal of Women and Gender

   Studies. No.17. p. 85-155. Co-authorship with Yen-fen Tseng et al. 「檢視社會學教科書:女性主義的觀

   點」出自女學學誌。與曾嬿芬等人合著 (in Chinese)

    2002      “Variety Shows: Exploring the Genre of The ‘Most Local Show’ in Taiwan.”Dong Hwa Journal of Humanities.                       Vol. 4, pp. 295-329.

1996    “Working Class Girls and Popular Music in Taiwan.” Jump Cut: A Review of Contemporary Media.

             40: 74-84.

1994  “The History of Popular Music in Taiwan.”  Popular Music and Society. 18(3):53-66.

1993    “A Genre Analysis of Popular Music in Taiwan.” Popular Music and Society. 17(2): 89-112.



 2012    Multiculturalism and The Missing Question of Ethnicity as Provinciality.”   Invited Presentation at

                  the Third International Workshop on the Multicultural Question in Asia, Yonsei University, 6.22-23,


 2012    “A Tale of Two Celebrities: Makiyo and Takeshi Kaneshira.” Invited Presentation at the Third

                   International Workshop on the Multicultural Question in Asia, Yonsei University, 6.22-23, Seoul.

 2012   “The Politics of Imagining Internet Audiences in Taiwan.” Invited presentation at E-Society

                  Workshop, National Sun Ye-Sen University, March, 16.

 2012   “From Korean Wave to Korean Living: Meteor Garden and the Politics of Love Fantasies in Taiwan.”

                  Invited presentation at“Workshop on the Korean Wave,” Center for KoreanStudies, University of

                  California, Berkeley.Feb. 17-18.

 2011   “Meteor Garden and the Gender Politics of Asianism.” Paper presented at Console-ing Passions,

                  July 21-23. Adelaide, South Australia.

 2011    “Meteor Garden and the Politics of Asianism.” Paper presented at IPLA, National Cheng Kung

                   University, Tainan,Taiwan. May 21.

 2011   "Meteor Garden and the Politics of Asianism." Paper presented at " Intra-regional Popular cultural

                  Flows: Towards an East Asian Identity? " New Zealand Asia Institute, Taipei, 17-19.

2010    "Loser-Dog Queen and the Translation of Japanese Dramas." Paper presented at Cultural 

              Studies Crossroads, June 17-21, Hong Kong, Lingnan Univerwsity.

2010   "Loser-Dog Queen and the Translation of Japanese Dramas." Paper presented at Console-ing Passions.  University of Oregon, April 22-24.

2008   “The Cooked Woman: The Affective Flow of Confidence and Fear in Shou-nyu Dramas.” TV and the National Conference, Latrobe University, Melbourne, 11/19-21.

2006   “Desire and Discontent: an Analyses of Taiwanese Women’s Reception of Korean Romantic Drama.” Paper to be presented at Crossroads Cultural Studies Conference, Istanbul.

2005   “Rap(p) Korean Wave.” Invited paper presented at Workshop on East Asian Pop Culture: Transnational Japanese and Korean TV Dramas. Dec. 8-9. National University of Singapore.

2005   “Engaging with Korean Dramas: Discourses of Gender, Media, and Class Formation.” Paper presented at 文學藝術中的原鄉想像與國族認同. Sep. 30- Oct. 1. 中國醫藥學院.

2005   “Desire and Discontent: an Analyses of Taiwanese Women’s Reception of Korean Romantic Drama.” Paper presented at Women’s Worlds 2005: 9th International Interdisciplinary Congress on Women. Jun. 19-24. Ewha Womans University, Seoul, Korea.

2005   “Engaging with Korean Dramas: Re-reading Domesticity as an Allegory of Desire.” Invited paper presented at Cultural Capital and Culture Industry. Feb. 28. Seoul, Korea.

     2004    “Beautiful-and-Bad Woman: Media Feminism and Its Politics of Construction in Taiwan.” Paper to

                    be presented in Communication in Borderlands: 53rd Annual Conference for International

                    Communication Association, May 23-27, San Diego.

     2003     “Simone de Beauvoir in Taiwan’s Popular Media: Politics Freedom and Lifestyle.” Paper

                     presented at National Communication Association, Chicago, 2004.

2002  "Beautiful and Bad Woman: the Politics of the Construction of Media Feminismn," presented in

            Conference on Gender/Sexuality,Knowledge, and Power, Kaohsuing, Taiwan.

2001  “Combining Jerry Springer With David Letterman”: A Genre Analysis of Variety Shows in Taiwan.

            Consoling  Passions: AnInternational Conference on Video, TV, and Feminism.  

    2000    “Variety Shows: Exploring the Genre of ‘the Most Local Shows’ inTaiwan.”  Paper presented at 10th

                  Consol-ing Passions: Television,Video, Feminism, New Media. Bristol, England, July, 2001.

2000  “Feminists Meet Jacky Woo: An Analysis of the Class Politics in Variety Shows in Taiwan.”  Paper

            presented at a symposium on Acting for Change: Chinese Women in Global Perspectives.

            University of Illinois, Urbana-Champaign.  Oct. 2000.  

2000    “Feminists Meet Jacky Wu—Exploring Class and Gender Politics in Variety Shows in Taiwan”  發表

              於十二月 的科技,權力,與美學文化研究會議。交通大學主辦。

2000  “The Making of Women’s Taste.”  Paper presented at Third International Crossroad Conference on

            Cultural Studies. University of birmingham, England. June, 2000.

2000   “The Political Economy of Sexual Liberation.”  Paper read at Asian Studies Conference. 

              International Christian University,Japan. June, 2000.

1999    “Women’s Magazines and the Regulation of Sexuality in Taiwan.”Paper presented at Conference

              on Chinese  Women.  Boston,Harvard University and Tufts University, March1999.

1999    “Love and Sickness: Women’s Magazines and the Changing Ideals of Love and Sex.” Paper 

              presented at Comparative Imperial and Post-Colonial History Conference. Michigan, Feb. 1999.

1998    “Patriotism Without Future: Women’s Magazines and The Changing Ideals of Domesticity.”  Paper

              presented at Third Annual Conference on Taiwan’s History and Culture.  Culumbia

              University, New York.  August, 1998.

1998    “The Political Economy of Women’s Magazines in Taiwan.”  Paper presented at Asian Popular

              Culture Conference.  Victoria, BC. April, 1998.

1998    “Women’s Magazines and Feminist Politics.” Paper presented at International Studies Association

            39 Annual Convention.  March,1998.


2005   Special Issue Editor: “The Secrets Codes of Bestsellers: Love Potion or Poison?” Gender Equity Education and Research. No. 31主編專輯:「暢銷書的性別密碼: 愛情靈藥還是毒藥?」主編專輯。性別平等教育季刊。(in Chinese)

2005    “Introduction: Selling Gender/Sexuality” Special issue on “The Secrets Codes of Bestsellers: Love Potion or Poison?” Gender Equity Education and Research. 「暢銷書的性別密碼: 愛情靈藥還是毒藥?」專題引言: 行銷性別。性別平等教育季刊。No. 31。 p. 8-13。(in Chinese)


2004  “Transnational Imagination in Action Cinema: Hong Kong and the Making of a Global Popular Culture.「動作片中的跨國想像:香港和全球流行文化的製造。」墨美姬(Meaghan Morris)著。楊芳枝、陳怜縈譯。Visual Culture and Critical Theory II: Everyday and Pop Culture. 化的視覺系統Pp. 151-192. Ed. Joyce Liu. Rye Field Publication.



      2003  “Decoding the Formula of Love in Korean dramas.” Gender Equity Education and Research. 解讀

                 韓劇裡的愛公式」。兩性平等教育季21(1):126-128. (in Chinese)

2002  “Autumn’s Tale: Exploring the Politics of Love in Popular Culture. Cultural Studies Monthly Review. 藍色生死戀:探討流行文化裡的愛情政治」。 文化研究月報第十七期三角公園。(in Chinese)

2002  “Media and the ‘Real’ World: On Grossberg’s Medimaking.”媒體與『真實』世界:評葛羅斯堡等人

            的Media Making」。Communication and Culture. No. 9 傳播與文化第九期,239-243(in Chinese)

     2001  “Gender Politics in the Media: On Qyu Mei-feng Event.” Gender Equity Education and Research.

                 美鳳事件與媒體的性別政治」。兩性平等教育季刊19(8):111-118. (in Chinese)

2000  Review on “Investigating Taiwanese Society Through Popular Music.” Mass Communication Research.                   評從流行歌曲看台灣社會」。新聞學研 May, 2000. pp.168-170. (in Chinese)

1999  “Leaving Home and Travel: On the Gender Politics of Travel.” Bulletin for Gender and Women Studies.離家出遊:論旅行的性別政治」。婦女與兩性研究通訊54(3): 22-25.